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NEW TITLES
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Remarkably inventive, chilling, and witty, Nazi Literature in the Americas offers keen insights into the workings of an extraordinarily fecund literary imagination and has been acclaimed “exceptionally entertaining” (Michael Dirda, The Washington Post Book World). “At once funny, furious, and frightening, Nazi Literature in the Americas,” is, as Michael Saler expressed it in the London TLS, “brilliantly conceived.” “Nazi Literature in the Americas, a wicked invented encyclopedia
of imaginary facist writers and literary tastemakers, is Bolaño playing
with sharp, twisting knives. As if he were Borges’s wisecracking, sardonic
son, Bolaño has meticulously created a tightly woven network of far-right
litterateurs and purveyors of belles letters for whom Hitler was beauty,
truth, and the great lost hope.” | |||||||||
Dreamy, meditative, and filled with the gritty everyday perils of a person living somewhere without papers, The Naked Eye is a novel that is as surprising as it is delightful. “Tawada’s slender accounts of alienation achieve a remarkable potency.” “Her finest stories dramatize the fate of the individual in a mobilized
world.” “Tawada’s chilling evocations of disorientation are the peers of Paul
Bowles’ most chilling stories.” | |||||||||
Never before available in English, The Halfway House is a trip to the darkest corners of the human condition. Humiliations, filth, stench, and physical abuse comprise the asphyxiating atmosphere of a halfway house for indigents in Miami where, in a shaken mental state, the writer William Figueras lives after his exile from Cuba. “This posthumous translation of Rosales, a Cuban-American writer who
committed suicide in 1993, delivers a raw, powerful story set in a
Miami home for the mentally ill… It’s a frightening, nihilistic cousin
of One Flew Over the Cuckoo’s Nest.” | |||||||||
Since publishing Coney Island of the Mind (1958), Lawrence Ferlinghetti has been the poetic conscience of America. Now in Poetry as Insurgent Art, he offers a primer, in prose, of what poetry is, could be, and should be. If you read poetry, find out what is missing from the usual fare you are served; if you are a poet, read at your own risk—you will never again look at your role in the same way. | |||||||||
For most of his Broadway plays Tennessee Williams composed an essay, most often for The New York Times, to be published just prior to opening—something to whet the theatergoers’ appetites and to get the critics thinking. Many of these were collected in the 1978 volume Where I Live which is now expanded by noted Williams scholar John S. Bak to include all Williams’ theater essays, biographical pieces, introductions and reviews. This volume also includes a few occasional pieces, program notes, and a discreet selection of juvenilia such as his 1927 essay published in Smart Set, which answers the question “Can a good wife be a good sport?” | |||||||||
I go out of the darkness “I must have Kenneth Rexroth’s translations from the Japanese at once!” | |||||||||
Moss covered paths between scarlet peonies, “Nothing stands still in this poetry: the wind blows the trees, the
lake water ripples and the ever-present road runs in and out of the
hills.” | |||||||||
“Mikhail’s style maintains an impressive fragility and delicacy of
image that touches the reader’s heart . . . . ” “A poet who can take a subject as difficult as the death
of a child and write, counter to the human-interest story or sound
bite, a poem that will outlast the exigencies of the present.” | |||||||||
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©2010
by New Directions Publishing Corp. |
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